LINDE Amsterdam, Netherlands
LINDE is the solo project of Amsterdam based (bass) flautist, singer and composer Maaike van der Linde. She plays flutes in European contemporary ensemble s t a r g a z e and she plays music in hospitals beside the bed of patients with a group called Mimic. Besides performing and composing she is also a music teacher and workshop leader. ... more
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Instrumental Music 1
by Craig Fortnam
supported by 5 fans who also own “In Peace and in Pieces”
Craig Fortnam is well known for being the creative mastermind behind names like "Shrubbies", "North Sea Radio Orchestra", "Arch Garrison", and, well, "Craig Fortnam", of course. He's from the big family of musicians and composers revolving around the cult band "Cardiacs", all of which share some undeniable and hard-to-describe common quality in their songwriting. "Instrumental Music 1" is quite some unspecific title for the wide range of unique avantgarde tracks he has released only recently.
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supported by 5 fans who also own “In Peace and in Pieces”
This is an entertaining record that fits in well with the rest of his work.
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The Bitter Lay
by Arch Garrison
supported by 5 fans who also own “In Peace and in Pieces”
Another record of tenderness and beauty! I'm excited to get to know these songs better...
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42 Days 四十二天
by Southeast of Rain 东南有雨
This stunning, beautiful project from Fujian duo Southeast of Rain 东南有雨 blends field recordings with rippling notes from the pipa.
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Noise à Noise 23: Noise vs. Silence (Vol. I-IV)
by Various Artists
A four-volume experimental compilation serves as protest music for modern-day Iran.
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The 17 mindbending songs on this compilation represent minimalist experimental music at its best, a collage of blips and static.
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The Divine Abstract
by Charlie Cawood
supported by 5 fans who also own “In Peace and in Pieces”
This is perplexing me to ... peace*. What? An 18piece ensemble - using e.g. sitar, dulcitone, bassoon, kendang, erhu besides "normal" winds, strings, keys & percs - plays something between ±modern but un-bulky melodic chamber and multi-ethno-/world-music. First, compositions seem very easy to "digest". Then, I (you?) get perplexed by their shrewdly balanced complexities, bringing me (you?) balmy & *peaceful exitement; reliably every time I (you?) listen. Thank you, Charlie Cawood!
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